Around the Web

I’ve been busy writing and editing, and generally doing everything a writer should be doing, so I missed out on doing the “Around the Web” links. I have found a few interesting links the week.

One of these might be April fools jokes btw.

Jim Butcher to put Dresden books on Hiatus.

French newspaper still printing the newspaper with tech from a century ago.

This week I might be jailed for writing a book about human rights abuse.

Internet Archive adds 6000+ ebooks.

Douglas Adams made me a writer: by Neil Gaiman

Download 422 art books for free, from Metropolitan Museum of Art.

JK Rowling: Life after Harry Potter.

What I learned about 99 designs

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Using 99designs has been an interesting experience and I think I’ll use them again. I loved the way it worked, and there are some fabulous artists on there. There are also some that aren’t as great, but that’s okay, they are still learning.

I was told some people had issues with copyright, but I found that if you did your due diligence that wasn’t an issue. The two covers I chose had all their textures and photos linked back to the original, and I could easily see what the copyright requirements were. Some asked for credit, which is easy to add in the copyright area, and I’m happy to give. Most were copyright free textures.

The toughest issue I had, personally, was dealing with the artists of the designs I rejected. They would ask why I rejected them, what they did wrong, how they could improve. In many cases the answer was “you can’t” either because the art wasn’t professional enough, or the right tone for the subject matter, or just because someone else was far better than they were. I didn’t want to say that. So I tried pointing out a couple things I didn’t like, and said I’ve already made my choice, I’m just waiting for time to run out.

I think I could have declared a winner earlier, but I’m glad I didn’t. Not only did the original artist I loved come up with an even better cover, but I had another artist show up that had an awesome cover too, and with a little tweaking it made a fantastic cover for the second book.

So, a couple tips to make your experience better.
1. Click on the art piece, don’t just go off the main page. This is where you will find notes from the artist, and copyright info.
2. Don’t accept art that doesn’t reference the original materiel. You need to know the terms of copyright. If they don’t add it ask them for it.
3. Even if you aren’t sure about a specific design ask for minor changes. Sometimes a rough or okay piece will become a diamond.
4. Wait. Don’t choose something too early, you might miss a fantastic opportunity.
5. Give your title something unique. My title was “Lovecraftian high fantasy” and a lot of artist were fascinated by that. Who doesn’t want to do a Lovecraft art piece?
6. Keep in contact with the artist. You may find you want to hire them later.
7. If you see a second piece that would work for another project don’t be shy about asking to buy that directly from the artist. 99designs had a 1-on-1 project section that allows you to buy specific pieces from a specific artist, or commission new ones.
8. Ask about using the art in promo material. Both my artists are fine with it, and the art references they used are okay for it. Others may not be. Ask!
9. Ask about adjustments after the fact. I don’t know how big my book is going to be yet because I haven’t gotten the page count nailed down, but my artist offered to adjust the spine for me, free of charge, if I ever need it.
10. Make sure you get the PSD file and/or a high quality picture without a blurb on it. You are probably going to want to adjust the blurb some day.
11. Ask for a cover for the print book that can be cut down to ebook size later. Maybe you don’t want a print book yet, but some day you might and your going to want a good one, not just a plain cover tacked onto the ebook cover.
12. Triple check everything, then have someone else check it too. I miss spelled “Witch’s” as “Witches” when I first asked him to change the title. I asked him to change it and he added the apostrophe but didn’t take out the “e”. For some reason my eye just went right over that “e” without seeing it, several times. Thankfully others caught it before it was too late.

I asked my artists if I could put their website in my credits as well. They deserve a little publicity. The first artist didn’t even have a website. He’s never asked people to attribute him before. But I’m going to, because it just seems like the right thing to do. I hope if you use 99designs you’ll do the same.

And to find out when Witch’s Sacrifice is out please sign up for my newsletter.

Around the Web

Welcome to the world wide web. Pull up a chair, view a few pictures, and enjoy the view. I’ve got articles, photos, videos, and more. Enjoy.

Penguin to publish the “lost” Schönwerth fairy tales.

Rowling release 12 new short stories for Christmas. Sign up for Pottermore to find them.

Thousands of Einstein documents now open source, and just one click away.

Beautiful redesign of the Harry Potter books.

Books made into beautiful art

Scientists translate monkey language

DC’s comics parody famous old film art.

First underground park. (Inspiration for you Sci-fi authors.)

Also, my boyfriend Gregg and I started doing a new project. We’re calling it Nano-Files, and it is us telling some crazy stories using a deck of cards. You can check out it out here. You can also catch up on my semi daily vlog here.

Science and Art

I just got done watching Adam Savage’s SXSW Address and I needed to talk about it. Adam Savage is a fantastic speaker, and usually has something very thought provoking to say. In this speech he is talking about Science and Art. That they are connected because they are both ways to discuss the same thing. Human Culture.

I am a writer, and I also do art. This makes me an artist, right? Yes, I would say it does. But I also am a scientist. I enjoy performing thought experiments about scientific advancements. I use these thoughts in some of my writing. How can a space ship save it’s passengers from cosmic radiation? If electromagnetic fields on earth do this how can we create an artificial electromagnetic field on a space ship? How can we encompass an entire colony ship?

I’m not the first writer to think about how things could work, and use those things in there writing. The writers of Star Trek did this every week, and create some interesting technology that no one ever thought would be realistic. Then we got communicators, and touch pads, and reusable shuttle crafts. They, Star Trek, inspired so many scientists. And yet “Star Trek” is still often seen as low brow cinema. Even though Star Trek was one of the first TV shows to comment on the cold war, the inequality of African Americans, and sexism. Not directly, of course, but it was often written into the show in such a way that people could accept it, and discuss it, when they could never have done so before.

Art opens doors for communication. It doesn’t matter if it is “high brow” or “low brow” art, it doesn’t matter if you initially understand the piece, but it get some people talking. And that is what art is for.

In my novella, “Osiren’s Tears“, there are several themes. The extremist view point leading a society astray, the difference in two cultures clashing and causing war, the idea that women are less then men just for the fact of their sex. I did not write the story with the idea of these things being talked about, but they probably made their way into the story because they are effecting me more now then they ever did before. Crimea, Iraq, Afghanistan. Extremists on every continent are trying to drive entire societies like leading a bull with a ring in it’s nose. The bull doesn’t want to go there, but the pain from the ring in their nose makes them move. Sometimes the bull will break free and go it’s own way, but other times it can’t stand the pain and just goes along with it.

Writing is a way of sharing thoughts and ideas, and exploring both sides of a story, without consequence. I can write from the view point of someone who thinks and does atrocious things without anyone actually getting hurt. I can explore why they would do such a thing, and what drives them, and maybe understand them a little more while doing it (though never condoning).

Cultural Anthropology, the study of cultures and people, is a science, and I think every artist would benefit drastically from that science. Statistics are math, and statistics show some invaluable information. How things are better, how things are worse, how things effect you or societies. Then there are environmental sciences, biology, and basic geometry. How does your world fit together? How do the creatures evolve? What are the dementions of a temple, and how do people access each floor?

Science and art work hand in hand. Science explains how the world works, and art is a communication tool to explain it to the layman. Art is a way of exploring facets of the world we have yet to experiment with scientifically. And science is the way to explore those same ideas even further.

There is a movement to add art to the STEM programs. It’s called STEM to STEAM. They want to add art to the middle of STEM where I think it belongs. And I completely support this. Schools don’t just need scientific exploration, they need understanding of the culture around them, and they need to know how to communicate in different ways which is taught by music, painting, writing, and sculpture. All things that use math and science to get their points across.

But the bigger question: how do we get our children to engage in science and math?

MAKE IT PERSONAL! If it isn’t personal to them then they won’t care. I did not care about history in school because the history class was so boring, and did not link the past with the future so I kept thinking “this doesn’t matter to me.” But when I got to college I took some awesome college classes in history that made the world come alive.

But if you teach a child through mediums that they enjoy, and show them how science, math, and history link to those things, then they are likely to take a closer look at them as well. Some students will stop thinking of themselves as just creative, or just scientific, and realize that they are both.

FAQ: How do I write?

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We hear this all the time, and the answer from most writers is “sit down and write”. And that’s a valid answer, because in order to write you simply have to pick up a pen, or type on a keyboard, and write.

But I think the question most people mean to ask is really “how do I keep writing, even when I don’t want to?”

That’s a little more complicated. Learning to write is, in many ways, as hard as learning to play an instrument or becoming a pro-ball player. It’s less physical (unless you count carpel tunnel from all this typing) but it takes practice and dedication.

The other question might be: “How do I stay inspired?”

There is a terrible myth that all great art is created by this magical muse that comes and gives you incite at the right moment. Then you write a LOT, and everything is wonderful. It’s bullshit, but that’s the rumor.

The truth, and a truth all failed artists of any medium fail to see, is that the really great artists (Michelangelo, Da Vinci, Picasso, Van Gogh) had a few hundred paintings and sculptures in museums. Thousands more of their paintings were destroyed before they ever left the studio because they simply weren’t good enough. There are whole sketchbooks from some of the greats of pictures that were started, restarted, scratched out, and restarted again.

Ray Bradbury wrote a short story every day for YEARS. Not all of them were great, but he had a lot of practice, and a lot of them were. Picasso painted several paintings each day, and only a handful survived.

You need to write, and you need to write A LOT in order to get better. Thinking you can get out of that disregards all of the years that every other artist has ever put into writing.

As for the muse… create your own muse. Find out what inspires you to write, and keep doing that. For me it’s reading good books, talking to other authors about writing, or listening to a podcast. I know that if I do these things a lot then I will probably produce a lot more words on the page, just because I want to keep going. I want to see my book finished and in print.

For you it might be long walks, a shower, or a contemplative morning in front of a tech magazine.

Find what works for you, and keep doing that. Make your own muse. And even if the muse doesn’t come, sit down and write about the muse. Ask her/him why he isn’t showing up, and keep going.

 

Forgotten Ones

forgottenonesminiI am down to the final edit of “Forgotten Ones”, and adding in the last few scenes.

So I finished the cover.

Thank’s to David Wright for pointing me in the direction of Font Squirrel, and the twenty-eight fonts I downloaded last night. The one I used for the title and this cover is “Griffin”. An unusual font, to be sure, but I found it eye catching.

The cover depicts “the all seeing eye”, which is appropriate since “Forgotten Ones” is about the goddesses of Fate who share an eye. (Not literally, but we’ll get to that in the story.)

I will be so happy when this one is finished. It is 22,000 words long at the moment, and I still have a few thousand to go before it’s done. That puts it at short book status, and I will be putting out an ebook and a paperback, on the new Kindle Matchbook program. So if you buy the paperback you’ll get the ebook for free. It will just take a couple weeks longer for the print book to be available as I go through for a third edit, then format, and finally set up the printing. (And the Matchbook won’t be available till October, but if you buy print copies before October you still get them once Matchbook takes affect.)

I know, I know… so much of this must be fascinating.

Know this… This time all three fates are in the fight, and they learn something about themselves they had forgotten in their attempt to survive the rise of humanity. Something that allows them to defeat a god who has regained a lot of his former power.

Writers should write!

I just read this great article by Hugh Howie over on Huffington Post. In it he talks about his advocacy for writing, and self publishing that writing. He said:
“We don’t rail against the proliferation of YouTube videos from aspiring filmmakers or DeviantArt accounts from future designers. We celebrate the act of bettering our craft by producing early works.”

This got me thinking about my own journey as an artist and writer, and the little encouragements along the way.

Drawing was easy. I started with an Elfwood account, that actually still exists. I got a DeviantArt account later, and still update it now and then. People like and comment on my art still. I sold some paintings, wrote some tutorials for wetcanvas.com, and could have continued on a path to an artists career. Not an amazing one, but a nice one.

But as much as I love art, I couldn’t make it my career. I’m good, I’m not amazing, and I don’t have the patience to practice and study to become amazing. I can’t even decide what style I like to do, so there is nothing consistent in any of it.

But writing…

I posted my first chapters/short stories to Elfwood. That was my first taste of reader feedback. Again, some of it still exists, and I don’t plan to take it down.

Then I switched to writing.com. An interesting platform, with some nice features. I had a few readers, but I couldn’t pay for a subscription so the limit of five stories up wasn’t enough. I did delete my account there.

I had my own websites. Several, in fact. Getting people to go to your website is a pain in the ass. I loved building them, but then I’d take them down a few months later.

The first time I actually got money for something I wrote was when I joined redpaper.com. It was the first micro-transaction community, and I really loved it. I won a contest and made ten bucks there once. Sold some comics, some desktop pictures, and a few articles and stories. It wasn’t a lot of money, but it was incredible to actually get money, even less then a dollar, for the things I wrote.

This was a form of self publishing, and I didn’t even realize it at the time. It encouraged me to produce more things all the time. I don’t care that I got so little… it was mine! I earned it. It felt amazing.

Later, I switched to magazines… I was suppose to earn $20 per article/story they published. It didn’t work that way. I ended up getting nothing, which cut my confidence in publishing a lot. The fact that they didn’t see fit to pay me, even though I had a signed contract saying they would, contributed to my writers block. It made it a little easier to walk away when my life got so stressed out.

Youtube, DeviantArt, and similar venues… they offer more then just places to show your work. They aren’t just brag galleries, and show pieces. They offer the chance to actually make money doing something you love. Authors should have that same opportunity.

It might not be a lot of money sometimes, but does it really matter? It’s about encouraging an artist of any kind to get better at their craft. And if I can earn enough from writing to go to Starbucks once in a while, then that’s encouraging. Because it makes me believe some day I might make more. Maybe even enough to do this full time.

And that’s worth it.

Letting Go

I’ve been working through a back log of old stories, trying to complete them. There are two that are complete, finished stories… and I will probably never publish them.

They aren’t horrible stories. They just don’t fit me anymore. One, “Grimalkin”, I might use as a bonus some day because I think it’s a silly little fairy tale like story, and a fun read. The other, “Contract”, is… controversial in nature.

I don’t write silly little fairy tales, for the most part. And “Contract” just isn’t as good as I would like.

I have a whole file filed with story ideas. Some times I go back to those files and read them, and they spark new and interesting ideas. Other times I wonder why the heck I’m holding onto them.

Letting go isn’t that easy. Especially when it’s something you worked hard to build or create. But knowing what is and isn’t worth pursuing is part of growing as a creator. Sure, I could say “This is done” and post the story, but what would my readers think? Would it be a good experience for them? Would they continue reading other stories?

No, probably not. So it’s best to shelve. Let it spark other ideas. But I won’t be releasing those particular stories.

If you missed it, there is a free story, “The Pretty Leaf”. It is about memories, and life long love.

Also, “Twilight Tales” will be available for free on the 21st and 22nd of this month. If you haven’t read it, grab it then. I’ll be using up the last bit of my KDP select free days for that.

Published! AGAIN!

The Ring

 

My new title, The Ring, is a paranormal thriller. Just under 3000 words. It is 99 cents for the weekend and will be going up to $2.99 on Tuesday. (I’m giving it a couple extra days since I had technical issues and it didn’t actually get published until this morning. It will be available on both Amazon, and Kobo sometime later today.

The Ring is a modern, paranormal, fantasy, and is the first in a five book series. Each book will focus on one of the items, and some of the things that happen because of them.

I suppose it is a lot like “Warehouse 13”, the old “Friday the 13th” tv series, or “The Room” tv series. One item, one shenanigan, and a close. I might have to write more then five episodes if people like it.

Next week “Small Bites 3” will be out. I am hoping to have all four small bites, and the accompanying “Small Bites 1-4” book out by the end of the month.

The only thing that worries me, just a little bit, is that eventually I’m going to run out of half finished stories, and this once a week publishing is going to slow down. I guess I just need to learn to write faster.

I also ordered, and received, some stickers for my book covers. Once I got the book covers in my hand I realized just how much I loved them all. I’ll be giving some out at PAX, so if you’re there let me know.

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Adventures in a Book Warehouse

A friend called me up the other day and told me about this amazing sale. A book warehouse was selling everything, just $10 for one bag of books. And you brought the bag, any size.

Well, I had a rolling cart. I could fit a lot of books in that thing. Maybe even a couple hundred. Didn’t matter, she said. Ten bucks.

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The warehouse was actually three buildings FILLED with shelves of books. The shelves were pretty close together, too.

Enough that I sometimes had to squeeze through to fit. 

Books upon books, stretching out as far as you could see. All of them mixed together in no logical order.

We were hunting for hours to find any that we might like.

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Many of them were romances. A lot of mystery. It took me hours to find some sci-fi and fantasy, or paranormal. But I eventually came away with a nice stack of books. I grabbed some Nora Roberts, who seemed to be one of the most prolific authors there, and a few Dean Koontz, and then a bunch of random books with interesting covers.

And you know what I discovered while crawling through those three buildings with thousands and thousands of books laid out before me? Mind you, I could throw as many as I wanted in my cart, and price wasn’t really an option….

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Book covers are boring.

Nora Roberts, Dean Koontz, John Grisham, and more… all of them.. boring covers.

You have the authors name in HUGE letters, a boring picture, and not much else. Most of them just labeled them as “fiction” so I couldn’t even get a read on what kind of fiction it was. It was frustrating… three warehouses worth of books and not much time to pic out a book, and this is what I had to choose from.

2013-06-01 08.18.28I did manage to find a lot of books with good covers… but it was hard to find them. And a lot of them were meant for younger children.

I notice that Sci-fi and Fantasy are more likely to have expressive covers. Romance is likely to have two people kissing, or something like that. Paranormal will often have an expressive cover.

This is why I work so hard on my own covers. I want someone to be able to look at a glance, and get an idea of what’s inside the book. So far I think I’ve done alright… You be the judge.

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