Pity Party, Table for One

I have really been hanging out in the dull drums lately, and I’ve been trying to figure out why so I can kick the thing that’s encouraging me to be there. It’s like this little monster sitting on the edge of a pit, and every time I pull myself up he bites my knuckles and I fall back down again.

But… why? What is this little monster that keeps nipping at my heels? Why does it suddenly find my fingers so tasty?

I think it’s because I’ve been lathering my nuckels with salt and pepper just for his amusment. Someone kick me while I’m down? That’s okay, lets feel sorry for ourselves. It’s just a teaspoon of salt. Someone get that bonus I knew I couldn’t get? That’s another tablespoon of butter. (Because everything tastes better with butter, right?)

I’m reminded of Johnny B Truants little book, “The Universe Doesn’t Give a Flying ‘F’ About You“. That person at work didn’t know I could have used that bonus. That customer didn’t know I was already in the dull drums and their harsh words just hurt that much more. All they knew was they “deserved it”, and they “earned it”. How dare that person get in my way.

What if I had gotten the bonus? What if that customer didn’t snap at me? Would I still be chilling on the ice shelf that is called “eh, good enough”?

When people kick you, run you over, and get in your way, you can salt and butter your fingers and let that little devil push you back in the pit that is the dull drums… or you can say to hell with it all, and stop playing the game.

The truth is, that little devil is only a few inches tall. Sure, he has sharp teeth, and they hurt, but if you stop just wincing in pain and dropping back into the pit then there is a really good chance you can fling that little demon off into next week. Then when you catch up to him you just fling him again. Eventually you’ll get stronger, and you’ll be able to fling him into next month, next year, or maybe next decade.

The real secret? Get off that icy shelf called “good enough”. Do something. Learn something. Apply for a new job. Stop salting your fingers and start putting on metal gauntlets with huge metal spikes.

The universe isn’t going to hand you a completed book, or a finished painting. It isn’t going to turn off the game and turn on the camera. It isn’t going to send a knight in shiny armor to save you.

SAVE YOURSELF! First from yourself, then from the little demons biting at your fingers.

Now I’ve got writing to do!

My Traditional Publisher Wish List

Today, on Reddit, someone said they were starting up a small publishing company, and wanted to hear from authors about what they would like to see in a publisher that would make them sign.

Here was my wish list:

As a self publisher I have to do everything myself or hire some one to edit, do cover designs, format, market, publicize, upload to all the stores, etc. Etc. Etc.

In exchange Amazon gives me 70% of every sale. They also give me data of every sale. Everyday. Online at the touch of a button. I get to set my own prices. And they offer me some plans for putting out free books, print books, audio, and translations (which I have to pay for, of course).

What I would want from a publisher, if I signed with one, would be all of that stuff (uploading, formating, editing, cover design, marketing, sales, etc) to be taken care of in exchange for giving up more of my royalties. I would also want higher royalties on ebooks then on print books. At least 50%. I know what I get for ebooks on amazon, and I know how much work goes into it after the initial set up (next to none), so I would expect for that to be taken into account. I also know publishers offset their overhead through ebook sales, so I would be willing to give up some, but not all, of my 70%.

I would also want transparency. An easy to read invoice showing how many books were sold, how many returned, prices, etc. Monthly online statements, and quarterly payments, monthly if possible. Direct deposit would also be helpful.

Also, I’d want a limited time contract. 5 years sounds about right unless renegotiated. That way if your not making money on it and you abandon it, then I still have a chance to use it for something.

I do not ever want to sign anything that says exclusive. Not for all my books, not for a genre, and not even for a series. They are my books, and I have to make the right choices for them book by book. But then again, if you’re doing a great job of selling and caring for my books, then of course I’ll come back to you.

And lastly, I want some clear sense of marketing. What are you doing for me that I can’t do, or hire out, for myself? What makes giving up my royalties worth while?

Indie News Bites: Episode 1

The first episode of “Indie News Bites”, your bite of news in the indie spotlight.

I am breaking away from Self Publishing Round Table to do bite size news chunks. This first episode isn’t that long, but in the future I hope to fifteen minute segments with three or four stories.

But you should definitely go check them out at http://selfpublishingroundtable.com/ for some great interview shows.

Now… It’s my first episode, so I made a few mistakes, and redid this several times before getting it to…. mostly… where I want. But I have confidence I’ll figure it out eventually.

Today I discuss the new masters degree available at University of Central Lancashire. http://www.theguardian.com/books/2014/feb/05/first-self-publishing-ma-university-of-central-lancashire

Find more information about me at http://www.crissymoss.com
Find my books at http://www.amazon.com/author/crissymoss

If you’re interested in more episodes please like and subscribe. And if you know of any news I should cover add a comment below.

Around the Web

sprtLast night we had a very special episode of SPRT, where we talked with Hugh Howey (author of Wool) about his new website, AuthorEarnings.com

If you don’t know what any of this is… go listen to the first 15 minutes of the show that will catch you up nicely. If you are interested then just stick around and listen to the rest of it. We ended up recording for two hours, something we’ve never done before, because the subject was so interesting, and Hugh is such an awesome guy.

Also, you might be interested to read Chuck Wendig’s thoughts on it, or Dana Beth Weinberg’s. There have been some others, but those are the two I found right off hand.

Now… back to the regularly scheduled shenanigans.

Niel Gaiman reads “Green Eggs and Ham“. Enough said.

How to Craft Tweetable Quotes That Spread Your Content like Wildfire

Hugh Howey reads his introduction to “From the Indie Side” about what it means to be an indie author.

Random Penguin India recalls, and will destroy, “The Hindus”,, an alternative history book, because a Hindu educational organization sued them over it.

Amazon releases “150 Love Stories for Every Romantic Mood”. I don’t see ‘bitter’ or ‘single’ on that list.

That’s all for now. I am going to try to make this a regular weekly thing again, as I really enjoy it. I was also thinking of doing it as a vlog…. would anyone be interested in watching a vlog with me about odd things I find online?

Fight Back Against Mass Surveillance!

Today is “The day we fight back“.

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances. – First Amendment, U.S. Constitution

What has the revelations of the NSA mass surveillance done? It’s inhibited people in expressing their true feelings. It’s made people afraid to practice their religion, or speak up and say the government is acting like an overbearing parent, (in the nicest words I can express it.)

The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.– Fourth Amendment, U.S. Constitution

And yet, they are taking your data, searching your emails, listening to conversations… without a warrant. Without any actual reason. Without even notifying you that you have been watched. They can even arrest you, and hold you without charges indefinitely if they like. Or throw you in a “secret court” and charge you with a crime, and stick you in prison.

For national security? How is this securing us? By making us afraid of our own government?

Go to Today We Fight Back and send an email, make a phone call, make your voice heard. DO IT NOW! It only takes a few minutes of your time to make your feelings known.

Are You an Elitist?

I read Jim C Hines post today in which he states “it isn’t an us vs them thing” (regarding self publishing verses traditional publishing).

I found the post through Reddit, and I agreed with it. As I commented on the post, Self Publishing is about giving authors options. The more options you have, the better decision you can make.

So I went into the comments on Reddit, and what did I find? Several would be authors saying how much better traditional publishing is. (Not a single one of them, from what I can tell, were published in any way.)

Sigh. You guys… you missed the point.

Not to say that self publishing doesn’t have it’s fair share of elitists. This thread was just filled with traditional publishing elitists.
“Self publishing is for people in a hurry to get published”… well, yes.
“Self publishing is full of rank amateurs.” Sure. So it everything else.
“SP is all drivel…” No. Just, no.

The route of self publishing isn’t better, or worse. It is what you make of it. How much time and effort you put in. How much insight you want to share. Or just plain fun.

It is an option that, by it’s very existence, gives authors avenues they did not have just ten years ago. It gives them the ability to stand up to a publisher and say “this contract isn’t good enough, I’ll do it myself.”

Now, is it right for everyone? Of course not. But that is up to the author to decide, not the mass of people on some shitty forum that can’t get their head out of their ass.

(Too far?)

Seriously, people. We have enough entitled elitists making rules for other people to live by. Just stop it. We defeated the gate keepers. We have open access to the world. But that doesn’t entitle us to be dicks about it.

“Don’t be a dick.” Wheaton’s law. Learn it. Live it. Good!

FAQ: How Long Should My Story Be?

Word length, like many other FAQ’s, does not have an easy answer. It really depends on what you’re writing, what the genre is, how the plot and pacing go, and what the story wants to be. In this digital age we have lot more options. When once novellas were shunned because publishers just didn’t take them. Now they are everywhere because we can publish on our own.

The general guidelines for lengths according to wiki:

Novel over 40,000 words
Novella 17,500 to 40,000 words
Novelette 7,500 to 17,500 words
Short story under 7,500 words
(Not on wiki, but under 2k is considered flash fiction by most people.)
This is not necessarily typical for what I’ve seen posted elsewhere. Usually novels are quoted as 60k and over, while novellas are 10-60k. This, to me, seems like a ridiculously large variance.

Another consideration is genre. In romance, 60k is normal, while in sci-fi and fantasy it’s more common to see 80-100k+ novels.

E-books have given us a lot more latitude, though it still is proven that people buy longer books more often. In that case, 80k seems to be a “magic number” in word length, as much as anything is “magic” in the publishing world.

But how long should your story be? Ask your story! Does it have a lot of twists and turns in the plot? Then go longer. Is it a simple vignette, a window into a world instead of the whole world, then go short. I’ve seen stories that are as short as 100 words that are worth a read.

The Egg“, a rather wonderfully poignant short story, has hit the front page of reddit several times, and been shared, remade and reused often. “The Last Question” by Issac Asimov, also comes up a lot. Both of these stories are only a few pages long, and yet people are going to be analyzing and rereading them for years to come.
So yes, you should probably write some longer pieces if you are trying to sell books. But, I would caution you to let the stories tell themselves when you can. Sometimes they are going to be shorter, sometimes longer. This doesn’t necessarily make them wrong. It’s only wrong if you don’t stay true to your story.

Of Gods and Goddesses

I once wrote an article about the origins of fantasy, namely mythology. It was many years ago, under a different name, still existing in cyber space somewhere, and it makes me cringe a little if I think about it. Not because my ideas were wrong, but because I, as a writer, have increased my skills so much in the last ten years or so that the old article just looks bad.

It’s a good reminder of where I was, and were I am, and hopefully a prelude of where I am going.

I loved mythology as a child. I couldn’t get enough of Greek and Roman gods causing wars, cheating, turning people to stone, and wrecking the world around them, or saving it at a whim.

There was the bittersweet love story of Psych and Eros. A woman who’s curiosity, and distrust, deprived her of the wonderful love given to her by a god.

There was the Trojan horse, and a war fought all in the name of love (or ownership) of the beautiful Helen of Troy.

There were the heroes, like Hercules, and Perseus, who braved mythical beasts and crossed entire continents to fulfill their quests.

In each of these stories we see the first structures of modern day tales. Romance, quests, revenge, war, suffering. Each an intrinsic part of the human narrative. Each a part of what has made our history.

When I wrote Forgotten Ones I attempted to pull on subtle hints of these gods, to capture their struggle with each other, and with the humanity which myth said they created.

That battle, in many ways, is real. Created from primordial pools of DNA, evolving into thinking, feeling, creative individuals, we still struggle against the world, the universe, that created us, and against one another. Massive natural disasters. Fires. Floods. Wars. Famines. The list goes on…

Struggle is what makes a book interesting. Overcoming adversity, and beating the odds. Whether it is a god, a goddess, or a human being.

And why shouldn’t the ancient myths reflect a very real struggle between man and the environment? Ancient men labored closer to, and had greater fear of, the wild places then we do in this day. They did not have guns to protect them, or metal sky scrapers to take them up above the wilds. They didn’t have planes, and satellites to tell them when the waters would rise, or crops fail.

But it’s a new age. The weather seems to be changing drastically with every turn of the clock. Tsunamis, fires, sinkholes, and even meteors pose real threats to people. So now we’re creating our own mythology in movies like “Dante’s Peak” and “Armageddon”. And it makes sense. Our myths are based on science, instead of gods, even if the science is faulty.

I think one of the reasons the old myths are so interesting is the human quality of a god or goddess. Maybe they are more powerful, invincible, and immortal, but they still love, and hate, and fight. They still have emotions. Something an equation, or a volcano can not do. You can reason with a god, or trick them. A volcano will blow no matter what you do, or what you promise.

So, yes, fantasy and story telling started with those great myths from the past. They started with fears, hopes, and dreams of men who came long before us. But we are continuing on in their fashion, fighting against the shadows in the night with words, and hope in the form of new stories, and new myths.

Letting Go.

Yesterday we drove an hour south of Portland. It was a very long drive, and a bit tiring. And when we got there we dropped off my daughter, and her bags. Then my boyfriend and I jumped back in the car, and drove home.

She’ll be at school for about a year, learning some life skills, and getting some certificates and diplomas so that she can get a job a little easier. She’s 18. She’s suppose to do this sort of thing.

But for me… my little girl just left, and my house is so quiet without her. My other two children don’t talk as much, or share their art and accomplishments with me quite as much as Tiffy did. They don’t complain that no one is doing chores, or constantly pester me to go get things for their cat.

Not that these things are bad. She is a really helpful person to have around the house, especially when I work a lot. But it made a constant noise in my house that is now gone.

I’m so proud of my daughter. She’s facing some of her fears so that she can make her own way. She’s a good example.

Now… I’m going to go toss and turn for a bit and fall asleep.

Why does net neutrality matter?

There are certain things a person, or any animal, needs to survive. Food, water, and shelter. A place to call home.

In the same respect, an economy, and a country, has things that it also needs to survive, and even thrive. Those things change over time as technology and the world evolves, but they are necessary just the same.

Before the invention of the telephone, people, and corporations, were limited in their ability to expand. They had to wait for correspondence through the mail, or short telegraphs. Or, travel, which at the time could take months to cross the ocean. Everything moved slower out of necessity.

After the invention of the telephone there was a period of adjustment. People understood the significance, but control of the phone and the lines involved, were regulated by one company, Bell. They, along with the help of the FCC, made it difficult to expand the network. Devices that were the precursors to faxes and modems were not allowed to be connected to the lines until the courts forced them to allow it. Bell wanted every device to be made and rented to consumers by them.

In 1974 the US Department of Justice filed an anti trust lawsuit against AT&T. It wasn’t until 1985 that they agreed to a settlement and broke up the monopoly.

They realized that the monopolistic tendency of Ma’Bell to suck every cent they could out of the industry was stiffling innovation, and technological advancement.

Now we have a similar situation. Companies and individuals depend on the internet for sales, marketing, communication, and entertainment. We get most of our content online. Indie creators have used services like KDP and youtube to promote and expand their reach.

All of this has been made possible because of “Net Neutrality”. Something a court ruling just overturned, and we no longer have.

Net Neutrality means that the internet provider is providing a service. Like a water company provides water. You can do whatever you want with the water, connect as many hoses as you like. Boil it, fill a pool. Freeze it and make an igloo. It doesn’t matter. You are just buying a service.

But internet providers are closely linked with cable companies, which means the increase of streaming services like Netflix and Hulu is a decrease in cable. Companies like Comcast and Verizon have been fighting for the right to charge users more to use these streaming services, thus making their $70 a month cable bill look more appealing.

This time it isn’t the FCC that is holding up the monopoly. It was a supreme court judge that said net neutrality wasn’t necessary because if you didn’t like your service you could just go to a different company. He failed to recognize the fact that many people do not have a choice in service providers, and even when they do the companies often work together to keep prices high. Only Google Fiber has given any real compatition

But don’t think this will stop with cable and netflix. Indie music, books, and cames also give competition to established corporations, and they will be looking for ways to use this to their advantage. What happens if youtube, or amazon get slowed down, or even blocked to make other publishers happy?

We simply don’t know how this is going to effect us, but one thing has always proven itself to be true: as long as monopolies hold onto the old ways innovation will be difficult, slow, or even non existent.

What can you do? Sign this petition. Spread the word. Send a letter to your congressmen, and the FCC. Email your representative. CALL THEM. Make some noise.

This is incredibly important. We are thriving because we have access to this marvelous technology. Don’t let them destroy it.