Review : Everything, Everywhere, All At Once

I had been hearing about Everything, Everywhere, All at Once for a while. Hailed as Dr strange done right, or a better multi-verse movie I was intrigued. In many ways I have to agree with that assessment. This movie is a spectacle with amazing cinematography, special effects, and an intriguing world building.

But, ultimately, this is the story of one small family trying to find a connection to each other within a chaotic world.

The story is set in a fantastical sci-fi world of split realities, kung fu fighting, and jumping from one point to another. The ending also has an Inception feel where you are wondering what was real, and what wasn’t. But in the end, does it really matter?

The actual story of a mother trying to understand her teenage daughter, and a young adult woman trying to find her place in the world is only enhanced by the splitting of realities. In essence it says that no matter what world you are in, what choices you make, inevitably we will find ourselves at this point. Trying to connect.

Everything, Everywhere, All at Once is a masterfully crafter story. Give yourself a treat and watch it.

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Review: Perfectly Natural

In a world where everything is automated, including parenting, you might not be able to get back control if you give it up. Sounds familiar.

This is an unusual dystopian story. Set in a world that looks beautiful on the outside with shiny buildings, perfect smiling faces, and lovely houses…but when you pull back the set pieces you see the true ugliness underneath.

The mother and father set their child up with Future Babies, a service that allows you to connect your baby to a virtual world with a virtual representation of parents. The child is taught, nurtured, and loved by the virtual parents leaving the real parents time to go back to work.

The parallels to the real world where many parents sit their children in front of a TV or tablet to watch programming instead of interacting with them directly is clear, but there’s a darker undercurrent. Once you relinquish your time with your children and allow others to raise them you loose the ability to truly be a part of their lives. 

A very well done vignette, and well worth the watch.

Among Us – the movie?

This 12 minute movie has everything you want in an Among Us theme. Suspense, mystery, accusations, and really good cinematography. They did a pretty good job of making it feel serious, while at the same time adding in a lot of the fighting, accusations, and back and forth from actual game play. A great watch.

Perhaps it’s the fact that they kept it down to 12 minutes that really makes it shine. They had enough time to tell the story, and even add in a bit of back story for the origin of the virus, but didn’t feel the need to bog everything down with long drawn out mellow drama. Well done, and the actors are really good at getting their emotions across in this short film.

Review: Another Life season 1

I love scifi. I grew up watching Star Trek, Aliens, and Flight of the Navigator. Some of them have aged better than others, but that feeling of exploring new worlds and new technology never gets old.

So when I saw Another Life on Netflix I was hopeful. Here’s a crew traveling across the universe to talk to aliens, and find out why they sent a probe to earth. A simple plot, but one that leads to a lot of possibilities.

In the first episode the captain of the ship is introduced. Actually, she wasn’t the captain, she hadn’t been on a ship in a while, but she had more experience so they sent her to take over the ship from the man she once trained. This cliche had been used in Star Trek multiple times, so I wasn’t too mad about it. It did set the show up to be cliche driven, but for some good old fashioned scifi I could play along.

Then the captain is waking from soma (a dream tank that lets people sleep for months while on a voyage) and everything is going wrong. That’s where I started…noticing things.

This is a scifi show. It has space ships, aliens, and a holographic AI. It also has a lot of teen drama. There’s a love triangle, drug use, parties, lots of rivalry, and people throwing around their ego’s like they had a fire sale on them or something.

The crew wasn’t really a crew. It was a collection of people that occasionally worked together when out of soma for a few days. Then they climbed back in the tube and went back to sleep. They didn’t interact, didn’t really know each other, and had no protocols. The crew talked back and second guessed the captain continually, to the point where they had shouting matches, and a mutiny in the first episode. Then instead of locking the mutineers in their quarters, or putting them back into soma, the captain just lets them wander the ship, which results in another incident. Even if you accept that this is a brand new crew NONE of them have discipline. What government in their right mind would send an undisciplined group of rag tag humans on a mission to save the planet? Chain of command is there for a reason, and governments aren’t going to give that up in the future because it works too well.

Regardless, by the fourth episode the character shenanigans start to level out and there’s a little more depth to their interactions, but there are a few other things going on as well.

The science was sometimes thrown out the window in favor of some sort of plot. The AI fails to notice a moon but he can read oxygen levels from orbit. Said moon was clearly within the Roche Limit and should have been ripped into pieces. Coms don’t work in one episode and they do in the next even though they didn’t fix anything. Other things I would say are major plot points so I’ll skip them.

Other design elements of the ship just speak of incompetent design. The ship has all of their electronics connected so that one wire being cut causes catastrophe across the entire ship (none of the writers hear of redundant systems?). The soma tubes are made of unbreakable glass and don’t have manual overrides in case of an emergency. Most of the things are small, but they are there.

I did like the performance by Katee Sackhoff (Captain Nico) and Samuel Anderson (the AI). They were my favorite parts of the show, and did well with what they were given. The writers also did a good job of creating a mystery around the artifact, and some tension in some areas. I just feel like the writers took a crash course in scifi, and didn’t actually grow up with it.\

Another Life is a good popcorn series. If you aren’t looking for hard science with lots of accuracy, and you don’t mind plot-holes or stereotypical characters with a little drama thrown in, you’ll enjoy it. But if you try to break down the science, or try to make the plot make sense in some places, you are going to have a bad time.

Bird Box – The people or the monster?

Since our family is stuck inside right now we got a subscription to Netflix. That means Bjorn and I have been going through all the old movies that we’ve heard about, but didn’t have access to. Today we watched Bird Box.

The basic premise of Bird Box is a woman trying to survive a calamity that has effected the worlds population. Some sort of creature has arrived on earth and if you see it you will commit suicide in the most expedient way possible. Five years after the initial outbreak happened Malorie has lost everyone, is running out of food, and options. She has to get her two children to a safe haven miles away down a river without seeing anything.

But the movie isn’t about the creatures, or the world falling apart. It’s about Malorie and her personal journey to connect with other people amidst all this craziness. She had a terrible father, their mother left them, her boyfriend disappeared after she got pregnant, and her sister committed suicide the first day of the outbreak. She has kept everyone as far away as possible since then to protect herself. Even her children.

This is much like “A Quite Place” in that the story centers around the people, not the outside influences. I guess that is why I love movies like this. I tend to write stories with things in the background that may be dangerous or scary, but the true story focuses on the person. Footprints is about a man dealing with his fathers death, but there’s a monster in the woods. The Scarab Necklace is about a woman trying to find some confidence, and there’s a cursed necklace. Even my series, The Witch’s Trilogy, is about a girl trying to discover what and who she is, and there are acolytes trying to sacrifice her to a big sea monster.

In this sort of story telling there is definitely a monster, but it could often be exchanged for something else. In The Quiet Place and Bird Box it could have been a pandemic, or an alien, or a monster from the deep. The only thing that really mattered was the story of the family trying to find their way in a messed up world. The mechanism of the monster did make things a bit unique, one depending on sound the other on sight, but ultimately they were not the main feature.

The movie, itself, was well done. There wasn’t a lot of dialog, most of the story heavily relying on motion and action to tell the tale. What dialog there was made a point. Malorie’s inability to connect was shown right down to how she talked to her children, giving them short, easy to follow instructions, never showing them much love, and just making sure they survived. But as Tom says surviving isn’t living. You have to have something to hope for or what’s the point.

I think right now this story hit home with me. Like the people here we are cooped up in our homes, fearing an invisible creature outside. We are unable to be close to others, and things have gone a little crazy. But like Malorie we need a little hope, something to live for. There’s a point to all this madness, we just have to look for it.

Review: Locke & Key season 1

We just finished watching Locke & Key, the new netflix series and… I’m torn on what I think about it.

I have the complete series of Locke & Key graphic novels, though I have only read the first one. I found the whole idea of keys that magically unlock things to be fascinating. A key that you can unlock the mind and step inside the memories. A key that allows you to step through a doorway and separate soul from body. Each key a new experience and wonder.

So watching the new series was a must for me. And I have to say I do love the way they did most of the keys. You put them in a key hole, and unlock, or lock something. Except the fire key, that one is odd because all it does is light things on fire. No locks to go with it, just fire.

The story, itself, started interesting as well. It starts with three children and their mother moving to an old mansion left to them by their deceased father, but no one knows much about this house, or their fathers past. The father kept it all a secret. Then when the youngest starts finding keys with magical abilities they start to find a dark secret that they have to unravel before things go terribly, terribly wrong.

The secret of their fathers past is locked together with the traumatic way their father was murdered, and the emotional scars it left on each of the family members. Each of them blames themselves for different aspects of the death, and each of them have to come to terms with that perceived blame.

Where I think the story falls short for me is the lack of a cohesive plot. There is an ancient evil, a “bad guy” per-se, but the reason you are given for them to be at odds with the Lockes (the desire to get specific keys) falls apart in the end. They finally have access to the key they were searching for all this time, but they don’t take it for some reason. It left both my boyfriend and myself staring at the screen just wonder… but why? What was all of this for?

So, yes, I did enjoy it. I liked the mystery, and the magic. I didn’t like the ending. It was a bit too much of a cliff hanger with the family getting closer to one another, but the over all plot left hanging. And if you’ve read many of my reviews you probably already know I hate cliffhangers for the sake of cliffhangers.

Will I watch the next season? Probably. It wasn’t a bad series, and I would like to see what it does. However, I can say that if the second season doesn’t at least give the series a purpose, and some overarching plotline, then I probably wouldn’t go for a third season.

I will give them a little credit through, adapting a comic book series to TV can be challenging, especially with some of the visuals inside the graphic novels. They managed to do some interesting things with the mind key, letting us get a glimpse inside of several characters memories. They also simplified some of the plot between comic and tv series, so I will probably go back and read the comics now just to find those differences.

Review: Sonic the Hedgehog

Just came out of Sonic and… I loved it!

I’m actually not the target market for this movie. I’ve never played a Sonic game, though I did watch the cartoon with my kids when they were young. But all of my kids are grown up so I didn’t go to the theater with a gaggle of children, either. It was just me, my boyfriend, and our room mate. Everyone well over 30. And we all enjoyed it.

This was just a fun film. The action was great, the jokes hit home, the heartwarming parts made me feel for Sonic. I became invested in what happened to this little blue hedgehog, and even if certain parts were a bit predictable it still made me want to see it through to the end.

The Sonic movie first came into the lime light by producing a trailer with a hedgehog that stepped too close to the uncanny valley. Fans were upset. YouTubers made videos, tweets rang out, and everyone agreed that this abomination needed to be stopped. The studio listened, and the new hedgehog looks much closer to the video game models.

Bigger eyes, smaller body, the customary red shoes, and, most important, no human teeth. It was an incredible improvement. Let’s hope listening to the fans pays off, because I know I am a happy movie goer.

Jim Carrey gave a fantastic performance as Dr. Eggman. It felt a lot more like his original films, Mask, and Liar Liar, if a bit toned down. Some slapstick comedy, and some funny lines to really drive home the character.

The only odd thing about the movie is the awkward product placements. Zillow was a little less awkward, but Olive Garden really took the show. I don’t know if their line about never ending pasta was written by Olive Garden or the writers of the movie, but it was really over the top. At least the two main characters played it off as if they were in on the joke to help offset it. I do wonder if they had all the sponsored products because they were counting on the movie not pulling in many viewers. It is geared more to a younger crowd, and it may have been the fan uprising about the terrible CGI critter that finally clued them in that adults might like it as well. And it appears they may have lost a shoe sponsor by switching out the fancy foot wear.

Overall this was just a lot of fun. Sometimes that’s all you want from a movie, and Sonic paid off in spades. Plus! The ending hints at a possible sequel. I’d watch it.

 

Star Trek Picard – Four Episodes in and what is this?

I just watched episode four of Star Trek Picard and…If it wasn’t for the fact that my boyfriend and our room mate were watching this I probably wouldn’t watch another episode.

To be fair, I don’t think it’s awful, just not interesting enough to keep watching. There have been a number of scenes that make me uncomfortable (like the brother and sister that get way too physical) or annoyed (why is she calling him JP?), or just plain angry (ya, let’s reinvent the timeline again.) But while those scenes detracted from my enjoyment they were just a few scenes of the whole. The vast majority of it has been…. meh.

I’ve been watching Star Trek since I was little, right there with Captain Kirk flying off to various planets and defeating the problem of the week. There are so many of them that I love, from Spoke and the flowers that made him feel, to the disease that attacks anyone hitting puberty. Then there was The Next Generation, Voyager, Deep Space 9,  Enterprise, and every single movie (even the new ones). I’ve watched them all. I enjoyed them all. From the convoluted plots of the Cardassians, to the tribbles, and the invisible monsters only Data could see.

(I do admit I skipped Discovery, I didn’t want to pay extra to watch it on yet another streaming service. I’m only watching Picard because I’m not paying for it, or room mate is.)

So when I come to Picard I am there as a fan of the franchise. Sure, there have been episodes of the old series that I didn’t like, or I felt could be better, but on the whole I loved them and I kept coming back for more.

I think the biggest problem I have with Picard isn’t even the story, or the pieces in the plot that take me out of the world. It’s the way they are choosing to film it.

Every season before (minus Discovery, since I didn’t watch it and I don’t know) was in an episodic mode. That is: each episode was a self contained story. There was a beginning, a middle and an end revolving around a specific monster or problem. Sometimes the episode would be cut into two or three pieces, and often there was a larger story that connected all of the episodes together, but on the whole when you got to the end of an episode you felt like it had a satisfying conclusion.

Now Picard is here, and it does not have a structure to it. The first episode may be the only one that had a whole story, but even that felt incomplete and unfinished. It was the opening dragging you into the series, but it wasn’t satisfying. There was no conclusions, just questions.

Then the second episode happened, and there were even more questions, and only a few small answers. It gave them a direction to head in, but again it wasn’t a self contained episode, just a piece of the whole.

Episode three happened and I hated the new character introduced the first time she called the admiral “JP”. Who does that? Even in the flash back while he is still an admiral she is calling him JP instead of Admiral, or Jean-Luc. It felt entirely disrespectful. And again…. no satisfying conclusion, just more questions (like how did the scientist get the disrupter from the trained secret assassins? Is she a double agent, or is it just bad writing? And how did an old man and two older Romulans take out a group of highly trained assassins? But lets just wave the wand and forget about that.)

Episode four attempted to have a base plot. They went to a planet to get help from an assassin nun, and go on their way. But again it wasn’t very satisfying. It didn’t feel fleshed out, and every persons motive on that planet just feels…off. Picard is a shadow of the man he used to be, unable to command a room. Unable to use words to fight for him like he once did. Instead he stumbles over himself, and his past, and ignores the pain that he caused others. A man who used to be good at reading a room, and figuring out what to say, who respected the customs of other species, now walks right over theirs. It isn’t until someone else takes charge and kills the “bad guy” that Picard finally admits he screwed up…sort of. It was such a half assed apology.

Next episode looks like a casino planet episode. All I can think of is the casino planet from Last Jedi, and how absolute trash that section was. I hope it isn’t as bad. Mostly I hope there is a satisfying episode with a beginning, middle and end. I don’t have hope.

I expect all episodes to be pieces of a the whole instead of self contained episodes. That makes me wonder why they bothered to release it as a weekly episodic series instead of just releasing it all at once. If they did release it all at once then at least we could watch it all and evaluate it as a whole. Instead we are getting episodes that feel disjointed and separated, that don’t really feel satisfying. (The answer is money, they wanted subscribers, and that’s why they released it this way, but I digress.)

If I were the only one watching this I would just wait until the full thing was out and watch it then if I got really bored and couldn’t find anything else to watch. Because I live with two guys who want to watch it… I’ll watch it with them. Also of note is they didn’t grow up on Star Trek like I did. I know our room mate saw Discovery (and liked it) but he hasn’t watched all of the other series. My boyfriend has only watched part of TNG. Neither of them knew who Seven of Nine was, and most of the lore is going right over their head. I find it interesting that they are enjoying it more than I am, but not surprised really.

It doesn’t feel like Star Trek. It almost feels more like Roswell, actually. Teen drama that just happens to happen in a star ship. But….we’ll see how next week goes.

Top Reads of 2019

I read a lot in 2019, and I enjoyed…almost everything I read. I stuck to a lot of series, with a few random books thrown in, and almost entirely novels this year. Unusual for me since I like short stories, and comics, but that’s where my time reading went this year.

I also read quite a bit of litRPG. Fitting since I was writing more of it. This may be one reason I haven’t been reading short stories… there aren’t any in litRPG. I managed to find two, and that was difficult, though there are a few novellas, but even they are rare.

Some of my tops!

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The Dark Herbalist series. I only read the first two so far, but the next two are on my list. I love the swash buckling nature of it all. I started the third book, but got annoyed with the first few chapters. I’m still going to push through and see what happens with it though.

The Noobtown Series started with a man’s character creation being lead by a demon. After he gets control he rushes into the game world, and finds a starter village that is overrun by monsters. Loving this series, and can’t wait for more to come out.

The Divine Seed series is a different take on the dungeon core idea. A soul seed from the world tree of Norse mythology is sent to a distant realm to set down roots, and immediately things start going wrong. It’s a really good series that keeps upping the stakes, and this dungeon cares more about testing the metal of those inside than simply feasting. Book three is on my short list to read in 2020.

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Life Reset needs more books. I love this series! Human stuck as a goblin in a game? Yes please. The fact that he needs to keep upping his levels to get out of the game, and the humans who trapped him there in the first place keep trying to kill him, is really

The Crafer’s Dungeon is another one of those dungeon cores that do something different. This core just wants to craft and uses all her traps to try and make a crafting location. She only fights if those around her won’t let her craft in peace. Can’t wait for book three.

Alpha Company is another series I read. I’ve only got one cover up there but that’s because there were eight books, and I read them all. Now a complete series, I’m sad it’s over, but it was a fantastic world to visit. Also, this involves a harem so if you’re not into it maybe it’s not for you. (Though I really wish the author would go back and update his old covers so they all match. Come on Daniel!)

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Some of the stand along books that I loved this year include:

Bone Dungeon. The second book will be out this year. It is more in the traditional dungeon core style with a dungeon creating creature to fight adventurers, but it adds a dose of comedy to the mix and I really enjoyed it.

CivCEO is a civilization style game, and unlike anything else I have read in the litRPG area. Definitely portal fiction where the main character is transported to a magical land by a wayward goddess and dropped off as a mistake. But he quickly owns the situation, and makes the best of it in this new game of civ.

The Legacy Builder is actually a series, but I only read the first book. I will probably make my way through the rest of the series in 2020. This starts with the main character being robbed, and scammed, and he is absolutely thrilled about it! And doesn’t take long to get his own back. A really fun city builder litRPG.

And lastly, The Tower of Babel which is only on the bottom of my list because it is an abandoned series. The last book came out in 2017, and the author has said he doesn’t know when he’ll get back to it. A pity because the first two books were really good. They can, however, stand on their own. There just isn’t the satisfaction of the main character making it to the top of the tower.

I did read a lot of other books this year, but these were the top picks. You can find the rest of my reads, and the reviews, here.

The Mandalorian – AWESOME!

Cowboys in space, that’s exactly what we wanted and what we got. It’s an awesome show, and I am so glad I got free Disney+ from Verizon to watch it.

Will I renew my subscription after the year is over? Probably not. I’ll do exactly what I’ve been doing with other services. I’ll reup for a month once the thing I want to see is completely out, binge, then cancel. The only one we’ve been keeping an account with is Crunchy Roll and that’s just because there are so many anime’s to watch that it makes it worth it. Sort of like when Netflix had everything there. Now it doesn’t, and I’d just rather not watch most of what’s out there.

But as for Mandalorian, specifically, I loved it. Anyone who reads my blog might know that I wasn’t a big fan of the new trilogy movies, but Mandalorian feels like a return to classic Star Wars. They don’t make it complicated, or add in lots of social commentary, they just make it fun. And that’s what I wanted.

I liked it so much I did some fan art.

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Regardless, Baby Yoda is adorable. It’s fun to watch the father son dynamic of the series as Mando takes more responsibility for the youngling. I love seeing a good fatherly role model on tv for a change, and the bounty of the week sort of structure they have going is pretty good. Plus… BABY YODA!

And the season finally just opened up a whole bunch of possibilities for the future!

So if you, or a friend, have access to Disney+ I’d suggest watching it. It’s worth your time.