Review: Star Trek Into Darkness

imagesWe went out to watch the new Star Trek movie tonight, and I have to say I rather enjoyed it.

Now, I admit I’ve been a die hard Star Trek fan from a young age. I grew up watching re-runs of the original show, and started in earnest with The Next Generation. I loved how they mixed a message in with all the action and drama. There were bad episodes, but even the bad episodes were entertaining.

When they did the Star Trek reboot I was a little apprehensive. Reboots aren’t always good, as the new Total Recall and Robocop can attest (though I kind of liked the new Judge Dredd.) Sometimes they fail because they stray too far from the original source, in which case the die hard fans are left forgotten, wondering why they even bothered to stick with the original franchise instead of making something new…or they take the original source material and just grind it up and spit it out in a “modern” movie that is very forgettable.

This Star Trek reboot had some things I liked, and some things I didn’t. In many ways it did make sense to start off by completely rewriting history, and starting from scratch. I was also pleased that in the second movie they had Khan. He was an important character in the first series, and there was a lot of character development in that movie. A lot of things between the three main characters (Kirk, Spock, and McCoy) were established in that episode that needed to happen to further the new series, and Khan was a great backdrop for that all to happen.

I was slightly disappointed that the new series became much more about the action movie style then the character development and subtle commentary on the world around us. While some of the original movies were blatant about it (save the whales?) others were far more appealing. Learning to trust your friends, standing with your crew, putting differences aside in search of peace… All of them very well told, and many you didn’t catch unless you thought about it.

I was happy to see that this latest movie had a moral. It wasn’t in your face about it, and it required some thinking, but it had several morals laced in with the high action plot. I think there are a few subtle morals to the story, the biggest one being to stick with your crew when the going gets tough, and that unity in the face of adversity will see you through. And I saw a one much larger one that I can’t tell you because it would spoil the whole movie.

The other fantastic thing about this particular movie is the character development. Kirk, Spock, and Bones, are all learning to trust one another, and finding a true friendship together. The chemistry between the three main actors really felt like it was coming together, and I loved to see that. The actors are getting to know one another, and seem more natural up on the screen. They are coming into their own, which makes the movies that much better.

Overall, I’m looking forward to the next Star Trek movie. I think they are doing justice to the source material while still making a brand new universe. I hope they continue to weave those subtle morals into the story, to make the story worth telling and sharing, and making it last. Because, lets face it, action movies come and go. We have some that we really love, but there are very few that stick with us for generations. Star Trek has become such an icon of the future because it shows us a future that we want to have. It teaches lessons, and inspires science. It expands the mind instead of just entertaining it for a couple hours. And that’s what keeps us coming back for more.

But I will also admit…I was on the edge of my seat for some of those scenes! The action is top notch.

Whatever reason you go see it, I don’t think you’ll be disappointed.

Review: Jessica Jones

Jessica JonesI finished watching Jessica Jones just last month and I have to say that it is one of my favorite shows to come out last year.

They did a great job of setting the series up. Here we have a bad ass woman who doesn’t take crap from anyone, and has the strength of a hundred men. Then someone mentions Killgrave and she’s visibly terrified. This bad ass chick that just lifted a car, jumped to the second story of a building without a problem, and gives no fucks about anyone or anything, is terrified of this guy. This guy must be really dangerous if she’s scared of him, right?

Then we start finding out what kind of a completely messed up guy this really is, and what he does to his victims. Mind control with absolutely no conscious, no empathy. It’s horrifying. He thinks nothing of telling people to kill themselves, or others, or having children sit in a closet and die of starvation, unable to move or call for help just because he told them not to. It’s one of the most sadistic villains I’ve ever seen in a super hero movie or TV series.

Jessica Jones at first decides to run. She wants to get as far away from Killgrave as possible, but even in running we see that she has altruism at heart. She isn’t running because she’s afraid of what he’ll do to her, he’s already raped and tortured her, and while that’s terrible it isn’t the worst he can do. She’s terrified of what he will make her do to other people.

This is the crux of the entire season of Jessica Jones. She isn’t fighting for herself, I sometimes wondered if she could fight for herself. She’s motivated by helping others, and trying to stop Killgrave from harming anyone else.

The creators of Jessica Jones really did their homework on the psychology of abuse victims. While not everyone reacts the same to abuse there are some similarities that they portrayed throughout the season. There are a group of Killgrave’s victims that come together and discuss what happened to them, and try to overcome their problems together. Then there is Jessica Jones who shuns such help, and would rather drink away her memories. The sharp contrast serves to set her apart from everyone. She doesn’t want their help, even if she sometimes needs it.

Krysten Ritter does a phenomenal job of portraying Jessica Jones, a smart, sassy woman who’s tough as nails and broken at the same time. Her opposite, Killgrave, played by David Tenant, does a fantastic job of bringing a horrible villain to life with all his quirks and idiosyncrasy. Together they make a nail biting series that I just could not stop watching.

They even play homage to the origin of the characters. Killgrave, once The Purple Man, is seen wearing purple suits in a couple of episodes. Jessica Jones’ sister brings out a costume for her to wear, a copy of the Jewel costume that she wore in the comics.

Like Dare Devil before this, Jessica Jones is one of my favorite super hero shows. I think Marvel did the right thing in giving Netflix the go ahead to make these series. With more planned I feel that my subscription to Netflix is the best value in TV I can get.

Review: Between

I’ve been watching a lot of Netflix originals lately. They are usually great shows with interesting plots, great writing, some fantastic directing, etc. Daredevil and Jessica Jones are fantastic. Hide of Cards is captivating. Etc.

So tonight I sat down to do some Christmas decorating and thought I’d try “Between”. The premise seemed interesting. An unknown disease kills off everyone in a small town over the age of 22 leaving the children and young adults to fend for themselves. The government swoops in with promises of a cure and quarantines them.

Add in some tensions between some of the high school boys, a couple of love triangles, and a couple of mysteries and you have yourself a TV show, right?

Well, no. Not a good one at least.

I’m kind of sad because it has some interesting story elements, but the writing for this show just goes flat. The characters aren’t believable, and half the things going on are just contrived. In the six episodes there are a handful of interesting moments, but often the bad plot line or mediocre acting gets in the way.

I could have lived with mediocre acting. But the story and unconvincing character lines just couldn’t make up for it. In the end I have to say: don’t watch it. Go watch Jessica Jones instead.

Want an example? One of the main guys is a “rich boy” that almost kills someone by speeding past them, then gets out of trouble because money. Then when his parents die he suddenly wants to take charge, and he gets ahold of a bunch of guns to do it.

Then there is the sisters, one a teen pregnant and about to give her child up for adoption. The other a ministers daughter to the core constantly going on about her sister needing to repent.

Most of the characters are stereotypes. It’s incredibly lazy writing. And I kind of wonder if the director didn’t take half a vacation while this was being edited. It’s that bad.

Is Science Fiction Offensive?

Yesterday I posted some links to articles that I found interesting to read, or I thought other people would enjoy. This included a link to an article about the 100 must read sci-fi novels, and how the author, Lutgendorff, thought the list was filled with sexist and offensive books. Simon gave an interesting comment and I started to write my thoughts on the matter. After 300 words or so I thought it would be best if I wrote another blog post.

About half way through the article Lutgendorff brings up a version of the Bechdel test and states that almost all of the books failed. Her standard is a little stricter then the original (at least two women, one in a lead roll, with jobs other then traditionally female roles) but I don’t think many of the books listed would have passed the original test either (has at least two women who talk to each other about something other then men.)

I also agree with her that from today’s view point a lot of the books on this list could be shockingly offensive, especially if you are looking for those offensive things. There are books with rape, incest, and mandatory orgies. (Game of thrones is on this list people! It’s incredibly offensive.)

Before we go on lets just remember that this list was nominated by 5,000 fans and voted on by 60,000. The editors did toss out some of the nominations (because they were young adult, horror, didn’t fit criteria, etc) but otherwise it was all fan made. 60,000 people said this was the top 100 books in SF, not a small group of hetero white men.

Most hardcore science fiction fans will talk about the science in a world, world building, government, technology, and maybe at the bottom of the list will be a discussion about gender and gender politics (unless you’re talking to a trekky as that was very visible in Star Trek). And when we (I say we because I am a HUGE! science fiction nerd) tell you which novels are the best in our genre we are going to point to a lot of classics that shaped the world, changed thinking, or shaped the genre as a whole. This will include novels that might be offensive by today’s standards. In fact sometimes a book that is offensive will shape the world MORE than a book that is completely inoffensive.

Also, keep in mind that many of the books on the list were written before 1970, before female liberation and equality movements. And some of the books she described as offensive were MEANT to be offensive. Take Thomas Covenant who rapes a girl in the first book of that series. It is meant to be jarring and offensive because he is an anti-hero. In later books even he hates himself for what he did and he doesn’t get why people don’t just kill him and be done with it.

And as for her issue with “there are no women in some of these stories”… Okay, she’s right. There aren’t. That doesn’t mean they aren’t good books. If the only offense of the book is that there aren’t female characters in the book, or there are very minor female characters that don’t really contribute to plot, then I don’t find that offensive at all. I’ve read a lot of women’s chick lit that doesn’t have any male characters, or uses men as window dressing for a woman’s fantasies.

I love what one person pointed out in a thread on G+… That the romance genre is guilty of most of the offenses she lists in her. Novels written by women, for women, and filled with all the sexist stuff toward women that Lutgendorff is complaining about. I’ve read books where the main female interest was raped then falls in love with her rapist after being forced to marry him. And it was a very popular book in the romance category.

Going down the list of the 100 top Sci-fi I found myself saying “yes, that’s an awesome book,” and “oh, I can see why that one is on the list.” Time and again they were some of my favorite books growing up, and even now into my adulthood. Books about technological advances, alien creatures, censorship, exploration, and discovery. Amazing books that shaped me into a creative, and curious person who still loves finding out about new things.

Could science fiction use new books that are more female friendly, or directly speak to gender issues? Yes, of course it can. But that doesn’t mean the list of books here is offensive, it just means we have an opportunity to do more.

Science fiction is about exploring the world, the universe, and ultimately ourselves. Exploring gender roles is a wonderful way of doing that, both traditional and more unusual roles, expanding out idea of what is and can be as science fiction has always been known to do.

So yes, I disagree with Ms. Lutgendorff. I don’t find them completely offensive, even if there may have been parts of the books that were offensive when seen through the eyes of 2015. I find the books to be a fair, and wonderful interpretation of the best books in the science fiction genre. And I think we have room for even better books as time continues.

Wool by Huge Howey

I just finished reading “Wool: Omnibus” by Hugh Howey.

This was an amazing read. A post apocalyptic look at a world trapped inside of a silo.

And while I admit that half the reason to continue reading the story is trying to piece together how the world got into this state (nuclear war? Meteor? Disease?) the true story is the examination of how people would react to being stuck in such a small space together, underground, for generations.

Imagine having only a few thousand people stuck inside the empire state building. Not just for a few years, but for generations. Then put the whole thing underground with no sunlight, no fields  no room to grow or expand. What would you have to do to keep them from overpopulating? From killing one another? From over eating or escaping?

And the how of it all… how did the silo start? Now that answer was quite revealing after all…

“Wool” began as one self published short story that took off. Since then Hugh has written several installments and is on “Wool 9” at the moment. He continues to self publish each of his books, though he now goes through a traditional publisher for his over seas sales.

It was a shocker not long ago when Ridley Scott nabbed wool for a movie option. But as Hugh says, just because someone has the option doesn’t mean the movie will be made.